
It’s all wrapped up in a zany interface that can only add to the madness. So the envelope, the VCA and an intense filter with a nicely wobbly chorus. The “Vereor” section of each synth builds in the dynamics that the original modules didn’t have. Virt Vereor has a unique set of algorithms featuring Bass, Quadrature, SawX and Harm all of which found themselves in the Arturia MicroFreak V3 update. You’ll find noise, percussion, effects and a Super mode that adds 6 phase-offset oscillators for a big evolving sound. However, there are different modes that have a habit of pulling sound apart and rebuilding it in deliciously animated and exciting ways. Sinc Vereor is deceptively simple with classic waveforms and a handful of familiar synthy controls. They come from Noise Engineerings digital oscillator Eurorack modules which make them immediately quirky and a bit different from the norm.
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They come together for free and are both stunningly good in a raw and juicy kind of way. Ok, so it’s two synths but they are based on the same engine but use different algorithms. Noise Engineering Sinc Vereor and Virt Vereor It sounds great, is in constant development and is a fascinating playground of synthesis and sound design. And if it all gets a bit boggling then you can spend time with the excellent range of presets or spend some time with the simple building blocks of synthesis and start there. You can even add wave sequencing up to 32 steps. Hyperion has sound generators ranging from simple waveforms to 4 operator FM, Soundfonts, multisamples and physical modelling. And you’ll find every type of sound design tool you could possibly imagine in here.


Each node has a familiar-looking synth panel for parameter adjustment and you can very quickly build up fascinating amounts of modulation and manipulation. The interface could be a barrier but actually, once you start peeling back the layers you’ll find it’s very logical and has an enormous amount of power.

It should be a lot more complicated than it is, I mean that interface is enough to scare people off, but once you start playing the presets you’ll find it’s astonishingly good.

The KORG Collection is the embodiment of KORG's history the ultimate showcase of the legendary sounds used on countless songs throughout the '70s, '80s, '90s, and '00s.Hyperion somehow manages to bring together a complex arrangement of modular synthesis, audio nodes and deep control into a very playable multi-layered and enjoyable synthesizer. This collection precisely models the circuitry of historic analog synthesizers, fully emulating the depth and complexity of the miniKORG 700S, (KORG's first mass-produced analog synthesizer), the thick, persistent sound and flexible patching of the MS-20, the built-in effects of the six-note polyphonic Polysix, the thick, 4VCO monophony and unique polyphony of the Mono/Poly, and ARP's signature ARP Odyssey.Ī vast array of digital synthesizers also await your command, including the M1, the iconic multi-functional workstation that revolutionized the music industry, the TRITON, a pillar of 2000s sound, the TRITON Extreme, the vacuum tube powered peak of the TRITON line, the WAVESTATION, which synthesizes and combines multiple waveforms for smooth tone changes and the Prophecy, a physical modeling synthesizer developed to explore brand new sonic worlds.
